Matthew.4

Carl Daw's text speaks of the power of gathering communally in worship for the celebration of word and sacrament. Eleanor Daley sets the words to original, hymnlike music: tune in unison, unaccompanied

This text focuses on the ministry and service of all churches towards fulfilling God's mission on earth. Fedak has given the text a new tune and made it accessible for choir and congregation alike. Great

This hymnlike anthem is set to a familiar text. Daley's new tune has a beautiful arch to it and moves along with energy. Stanza 3 is a cappella. Stanza 4 offers the more familiar tune inviting the

Richard Leach's memorable text is inspired by the Greek theological word for the three-in-one interwoven nature of the Holy Trinity: "perichoresis," literally meaning "dance around." The first three stanzas

The familiar blessing, "May the road rise up to meet you" is set with great simplicity and grace. Perfect for a choral benediction or any occasion of farewell.

With a text by Richard Leach, this is a hymn setting that celebrates God's glory filling the earth. The music is broad and stirring, suitable for use with congregation. Powerful!

The evocative Thomas Troeger text of this anthem by Carson Cooman celebrates the inspirational work of the Spirit. The first section is gentle and slow, before the music breaks into a vibrant, rhythmic

Commissioned by St. Paul's Episcopal Church in Albany, New York, in memory of Katherine Anne Onufer. A beautiful and moving setting of this little-known text from Helen Keller. The optional oboe has an

A lovely, pastorale carol-like setting of Chatterton's Christmas poem, "The Silver Lamps." Though there is some divisi in the soprano and bass, it's still readily accessible for smaller choirs.

This paraphrase of 1 Corinthians 13 by writer Dudley Smith is excellent for times of personal dedication and ministry. It is mostly unison with more harmony and a descant for the final verse. The

This festival concertato utilizes congregation, organ, brass and timpani. It includes two tunes - DEO GRACIAS and DEUS TUIRUM MILTUM and is an inspired setting of this text.